for mac download Vampire: The Masquerade – Swansong

The outcomes of those confrontations offer some diverging narrative paths, but the real forks in the road happen when you’re thrown more binary dilemmas. These work like conversational boss battles, in which you use a variety of supernatural social engineering tricks to persuade, intimidate or dominate your foils into seeing things your way. Beyond the more prosaic walking, talking and sweeping rooms for clues like files and photos, you impress yourself upon the plot in confrontations. Vampire: The Masquerade began as a tabletop RPG and there’s still some of the old rulebook in here – you have action points to spend on anything from hacking a laptop to conversational techniques, while feeding on humans replenishes your unholy abilities. The protagonisits … Leysha, Galeb and EmemĮssentially you’re playing as three nocturnal detectives digging around after an attack.

While dust gathers on your controller, you’re introduced to a shadow covenant of vampires, its many rules and political power struggles, a trio of protagonists, and a code-red event that threatens the order and secrecy you only just learned about, all in swift succession. It’s lucky the premise is as strong as it is, because Swansong inducts you into this world with a barrage of information. In this case, of course, what we can offer them is blood.

They’re the pallid overachievers who run our society with no concern for the rest of us, other than what we can offer them. They’re something closer to those frightening people on LinkedIn who get promoted every three weeks, live every second of their lives in tailored suits and run their own consultancy by age 23. They’re not Harryhausen monsters or twinkly eyed teen idols.

Hand on heart: is anyone truly afraid of Edward Cullen? Pop culture has defanged vampires in modern times, but the undead of Swansong – an RPG-meets-detective-thriller, in which conversations replace combat – are truly fearsome.

For mac download Vampire: The Masquerade – Swansong